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Want the full story? Unlock all episodes of Crooked City: Youngstown, OH ad-free right now by subscribing to The Binge - All Episodes. Traficant battles the local newspaper, then the FBI, the IRS and finally his own demons as an eight-term, twice-indicted congressman. Then, Jim Traficant ran for sheriff, riding into office as the city’s steel industry fell on hard times. Illegal gambling was so lucrative that a mob war raged for decades, and bodies piled up. The Saturday Evening Post dubbed Youngstown, Ohio “Crimetown U.S.A.” It was a mob town. Executive Produced by Robert Downey Jr., Susan Downey, and Emily Barclay Ford for Team Downey and C13Originals, together with Josh McLaughlin for Wink Pictures and written, produced, and directed by Peabody-nominated C13Originals, a Cadence13 Studio.įrom Marc Smerling, the creator of Crimetown and The Jinx, welcome to CROOKED CITY. The Sunshine Place tells the mind-blowing, true-story of Synanon - one of America’s most cutting edge social experiments, turned into one of its most dangerous and violent cults - as it’s never been told before: by the people who lived it. Dederich, aka “Chuck,” would be the one to destroy it all, along with the lives of many of his followers and millions of dollars in assets. The man who made the miracle happen, Charles E. What started in a house on the beach, soon spread to compounds across the country. Before long, it would make an even bolder claim: It could cure any of your problems. May we do your story justice.Once called “the miracle on the beach,” Synanon began in the 1960s as an experimental rehab facility in Santa Monica, California with a radical claim: It could cure heroin addiction. To the thousands of men who changed history, thank you.
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Completing the story, putting a human face on war - well, that’s up to you. So, here are the words and the songs of these remarkable men. It asks the audience to engage their imagination in order to complete the story. One of the reasons I love working in the theater versus film or television, is because the theater is a two-way street.
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The text is taken from a wide range of sources including letters, journals, official war documents, poetry, grave stone inscriptions - even an old radio broadcast. The music ranges from trench songs to patriotic and sentimental tunes, as well as Christmas music from the participating countries. Our piece would be a radio musical drama, using only the tools of radio: music and text. Radio was critical to military operations it was the primary means of mass communication and mass entertainment. In the creative process I continually ask myself: If the characters were left to their own devices, how would they tell their story? What language, what tools were available to them? There was our answer - radio. I am interested in creating performance where the content dictates the form. Their story puts a human face on war, and that’s the story I hope to tell. The heroes of this story are the lowest of the ranks - the young, the hungry, the cold, and the optimistic - those who acted with great courage to put down their guns, overcoming a fear that placed a gun in their hands in the first place. So why did I not learn of this remarkable event? The propaganda machine of war is powerful, and news of soldiers fraternizing across enemy lines would put a human face on the Germans and readily undermine public support for the war. Upon orders from above, they eventually returned to their trenches and re-instigated a war that would last four more years. They sang songs, played a game of soccer, and buried each other’s dead.
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They exchanged gifts of tobacco, rum and chocolates even photographs of love ones. Thousands of men put down their guns and left their trenches to meet their enemies in No Man’s Land. This extraordinary event took place in 1914, the first year of the war, and was never repeated. If I had, I certainly would have remembered. I studied World War I in high school and college, but I don’t remember reading about the Christmas Truce in any of my textbooks.